The Last Exorcism

Documentary-style horror flick frustrates as much as it scares

The Last Exorcism

(C) 2010 STUDIOCANAL & STRIKE ENTERTAINMENT

Director: Daniel Stamm
Starring: Patrick Fabian, Ashley Bell, Louis Herthum
Time Out rating:

Daniel Stamm’s frustrating faux-documentary about a charlatan exorcist confronted by a seemingly genuine case of demonic possession sustains its intriguing conceit until the last ten minutes, when a contrived generic ending pops up out of nowhere and erases all of its troubling ambiguities. It’s a crushing disappointment as the intimate immediacy of the preceding scenes is emotionally involving, psychologically disturbing and often downright terrifying.

The Reverend Cotton Marcus, a charismatic evangelical preacher who has lost his faith, invites a documentary film crew to record and expose the truth about his final ‘exorcism’. Even when confronted by 16-year-old Nell, the daughter of a fundamentalist Louisiana farmer, the lapsed believer is sceptical: fragile and naive, Nell appears more psychologically distressed than demonically possessed. Since the death of her mother six years before, Nell has been locked away by her strict father and fiercely protective brother. There are whispers about a secret boyfriend and a faint suspicion of incest, but Nell is initially calmed by the reverend’s hollow religious ministrations. Then the demons return with a vengeance.

The credibility of faux-documentary filmmaking relies on clear plotting and convincing, semi-improvised acting. German-born director Stamm is well served in both departments: Huck Botko and Andrew Garland’s script toys with our scepticism, assumptions and fears, and Ashley Bell, as the shockingly feral Nell, and Patrick Fabian, as the charming showman priest, are both utterly believable. Sadly, the promise of the initial set-up and the atmospheric intensity of the central scenes are squandered by the ending.

The Last Exorcism opens nationwide on October 8



By Nigel Floyd
Please note: All information is correct at the time of writing but is subject to change without notice.

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